Building a Live Hit: Editing Luck Ra’s Show in Multicam Mode
- Lucas Casolo
- Feb 29, 2024
- 2 min read
Updated: Apr 27
Editing Luck Ra’s live album was a full-on ride — packed with energy, collaboration, and a sea of cameras.
The show brought together not only Luck Ra but also several major artists like Abel Pintos, Khea, Euge Quevedo, Bersuit Vergarabat, and more, in front of a live, roaring crowd.
At the center of the setlist, Que me falte todo emerged as one of the standout performances — later becoming one of the defining hits of the 2023–2024 summer in Argentina.
Each song was recorded twice during the concert, effectively doubling the amount of footage for every camera. With between 9 and 11 cameras in action for each take, that meant working with approximately 20 camera angles per song.
The key wasn’t just about cutting at the right moments to match the flow of each track.
It was also about adapting the sequences inside Premiere Pro, setting them up in multicam mode to edit more fluidly and to actually see all the options at once while building each cut.
Switching between angles in real time allowed for faster decision-making, adapting the edits to the specific energy of each performance and the interaction with the live audience.
Managing such a large volume of footage meant being methodical without losing agility — ensuring that each cut contributed to the atmosphere of the show, while showcasing the personality and style of every guest artist.
Months of work, hundreds of hours of footage, and one unforgettable journey — all leading to a collection of songs that became the true soundtrack of the summer.